Margot Robbie’s filmography spans a diverse range of critical receptions, with Rotten Tomatoes scores ranging from a high of 90% on both “I, Tonya” and “The Suicide Squad” down to a low of 22% for “Terminal.” Across her major theatrical releases, her average critics score sits around 68%, meaning she’s accomplished the uncommon feat of maintaining solid critical support while also delivering blockbuster performances. Her highest-rated work has come in biographical films like “I, Tonya,” ensemble superhero projects like “The Suicide Squad,” and recent blockbusters like “Barbie,” all of which earned Certified Fresh status on the platform. The variation in her scores reveals something important about her career choices: she hasn’t pursued a single lane.
Robbie has worked with prestige directors like Martin Scorsese and Quentin Tarantino, supported ensemble superhero projects, and taken on indie dramas. This willingness to work across genres and budget levels means her Rotten Tomatoes profile looks more like an actor’s full filmography than a carefully curated highlight reel. Her near-consistent presence across multiple genres also explains why her average sits solidly above 60%, even accounting for early career missteps.
Table of Contents
- Which Margot Robbie Films Have the Highest Rotten Tomatoes Scores?
- How Do Margot Robbie’s Critical and Audience Scores Differ?
- Which Margot Robbie Films Received Mixed or Poor Critical Reception?
- How Can You Use Rotten Tomatoes Scores to Predict What Margot Robbie Films You’ll Enjoy?
- Why Do Margot Robbie’s Superhero Films Score Differently Than Her Dramatic Work?
- What Do Recent Margot Robbie Releases Tell Us About Her Career Trajectory?
- How Does Margot Robbie’s Rotten Tomatoes Profile Compare to Her Contemporaries?
- Frequently Asked Questions
Which Margot Robbie Films Have the Highest Rotten Tomatoes Scores?
Her two most critically acclaimed films both hit 90% on the critics score. “I, Tonya” earned 90% critics and 88% audience approval for its bold biopic approach to figure skater Tonya Harding’s controversial comeback, while “The Suicide Squad” achieved the same 90% critics score alongside 82% audience approval for James Gunn’s wildly entertaining take on the DC property. Both films earned Certified Fresh designation, a distinction that matters when navigating rotten Tomatoes because it signals both critical consensus and sustained high scores across multiple reviews.
Just behind these two are “Barbie” at 89% critics and 88% audience, making it her highest-grossing film by a significant margin while maintaining critical legitimacy—a combination most studio films fail to achieve. The film’s eight Oscar nominations despite its commercial tent-pole status demonstrates the rare alignment between critical and commercial success. “Birds of Prey” rounds out her elite tier at 87% critics and 88% audience approval, another ensemble superhero film that proved Robbie’s ability to elevate ensemble material through charismatic screen presence. A notable pattern in these top-tier films is that three of her four highest-rated projects involve ensemble or supporting casts, suggesting critics respond positively when she’s positioned within a larger team rather than carrying an entire narrative alone.
How Do Margot Robbie’s Critical and Audience Scores Differ?
The gap between critics and audience scores on Robbie’s films reveals something worth understanding: critics and viewers don’t always align on her performances. “The Wolf of Wall Street” shows a 3-point swing in the audience’s favor (80% critics / 83% audience), a modest gap that suggests general agreement despite some critical reservations. More dramatic is “Whiskey Tango Foxtrot,” which dropped from 67% critics to 54% audience—an 13-point gap that signals critics saw merit in the film’s satirical approach that general audiences either missed or rejected. “Goodbye Christopher Robin” swings the opposite direction at 64% critics / 71% audience, meaning audiences connected with the A.A.
Milne biopic more than the critical establishment did. This pattern matters because it suggests that Robbie’s more challenging or niche material often plays better to critics than to general viewers. The largest gap exists in “Once Upon a Time in Hollywood,” where the 85% critics score drops to 72% audience, indicating Tarantino’s nostalgic, conversation-heavy approach resonated with critics more than it did with multiplex audiences seeking traditional narrative momentum. For prospective viewers, this means Robbie films scoring higher with audiences than critics tend to be more straightforwardly entertaining, while those favored by critics may require patience for slower, more thoughtful material.
Which Margot Robbie Films Received Mixed or Poor Critical Reception?
The lower end of Robbie’s filmography includes “Suicide Squad” (the 2016 David Ayer version) at 26% critics and “Terminal” at 22% critics, representing the films where critical consensus turned decisively negative. “Terminal,” a neo-noir thriller that attempted a stylized, twist-heavy narrative, barely scraped above 20% despite its atmospheric direction. The 2016 “Suicide Squad” suffered from reshoots, narrative confusion, and tone inconsistency, contributing to its position as one of DC’s most critically maligned films—though notably, Robbie’s performance itself wasn’t singled out as a weakness even when the broader film was rejected.
In the middle of this spectrum sit “Whiskey Tango Foxtrot” at 67%, “Asteroid City” at 76%, and “Goodbye Christopher Robin” at 64%. The Wes Anderson entry “Asteroid City” sits at 76%, benefiting from its director’s distinctive visual style even if critics found the ensemble-heavy narrative somewhat scattered. These films highlight a limitation of Rotten Tomatoes scores: a single percentage can’t capture nuance. Critics may have praised Robbie’s performance while still finding the larger film uneven, meaning a middling score doesn’t necessarily reflect her individual contribution.
How Can You Use Rotten Tomatoes Scores to Predict What Margot Robbie Films You’ll Enjoy?
Rotten Tomatoes scores work best when paired with an understanding of what you’re looking for. If you want critical acclaim and awards consideration, her 85%+ films offer the safest bet: “I, Tonya,” “The Suicide Squad,” “Barbie,” and “Birds of Prey” all delivered both critical support and strong performances. If you’re seeking straightforward entertainment where audiences confirmed their enjoyment, look at films where the audience score exceeds or matches the critics score by significant margins—”The Wolf of Wall Street” and “Goodbye Christopher Robin” both saw audience enthusiasm exceed critical consensus. The trade-off comes when you’re drawn to Robbie’s willingness to take chances.
“Whiskey Tango Foxtrot” has a lower score partly because critics were divided on its satirical approach, not because everyone agreed it failed. “Terminal” remains contentious among genre enthusiasts despite its critical drubbing. Using the score alone as a filter means you’ll reliably hit quality cinema but risk missing films that simply divided opinions rather than universally disappointing. For Robbie specifically, her performances have rarely been called out as the problem even in films that didn’t work as wholes, suggesting that a Robbie film rated 50% might still offer a worth-watching lead performance wrapped in a flawed production.
Why Do Margot Robbie’s Superhero Films Score Differently Than Her Dramatic Work?
Her superhero ensemble entries—”Suicide Squad” (2016), “The Suicide Squad” (2021), and “Birds of Prey” (2020)—occupy a curious position where critical reception varies wildly despite similar source material. The original 2016 “Suicide Squad” at 26% critics versus “The Suicide Squad” at 90% critics demonstrates how the same character and universe can yield fundamentally different critical responses. The 2021 James Gunn version benefited from clearer creative direction, fewer studio interference complaints, and tonal consistency, while the 2016 version suffered from visible reshoots and editorial compromises.
What’s notable is that Robbie’s performance across both films likely remained consistent in quality—the scores reflect the overall film structure, pacing, and editing rather than the lead actor becoming suddenly more skilled. This illustrates a critical limitation of relying on Rotten Tomatoes for casting decisions: a 26% film doesn’t mean a 26% performance, and an actor can deliver the same level of work in both a 22% and 90% film. When comparing Robbie’s work specifically, her dramatic roles in “I, Tonya” and “Once Upon a Time in Hollywood” score higher than her superhero ensemble work, but this reflects genre expectations as much as performance quality.
What Do Recent Margot Robbie Releases Tell Us About Her Career Trajectory?
“Barbie” at 89% critics and 88% audience represents the highest-grossing film of her career alongside mainstream critical validation—a rare combination that positioned it as both commercial and critical phenomenon. The film’s eight Oscar nominations ensured that Robbie’s work reached award consideration despite operating within a blockbuster commercial framework typically ignored by the Academy. This success contrasts with “Asteroid City” from the same year, which scored 76% critics as part of an ensemble Wes Anderson project, suggesting her mainstream leading-role status has solidified even as she maintains art-house portfolio pieces.
“Wuthering Heights” released in February 2026 brought her newest major theatrical vehicle, scoring 58% critics and 76% audience under Emerald Fennell’s direction. This notable divergence—where audiences favored the film more than critics—suggests that while professional critics found the adaptation uneven, general viewers responded more favorably to the romantic narrative and co-star Jacob Elordi’s presence. The film demonstrates Robbie’s continued willingness to work with prestige directors regardless of box-office positioning, maintaining a career model that balances commercial superhero work with smaller-scale dramatic projects.
How Does Margot Robbie’s Rotten Tomatoes Profile Compare to Her Contemporaries?
Robbie’s 68% average across major releases positions her firmly above actors whose careers consist primarily of franchise work, while remaining below performers like Frances McDormand or Saoirse Ronan whose filmography tilts more heavily toward prestige material. Her closest peers in terms of score distribution would be actors like Kristen Stewart, who similarly built careers that bridge mainstream commercial work with indie and award-consideration film.
The range of her scores—from 22% to 90%—reflects the deliberate variety in her choice of projects rather than a decline in consistent performance quality. Her early work in “The Wolf of Wall Street” at 80% critics established her as someone capable of working at high professional levels with A-list collaborators, while her biopic success with “I, Tonya” demonstrated she could anchor her own narrative and earn critical respect independent of ensemble support. The fact that her superhero work fluctuates from 26% to 90% while her dramatic work remains consistently between 64% and 90% suggests that critics reward her most when she’s working in projects with strong directorial vision and narrative clarity, regardless of genre.
Frequently Asked Questions
Is Margot Robbie’s best film “I, Tonya” or “The Suicide Squad”?
Both earned identical 90% critics scores on Rotten Tomatoes. “I, Tonya” is a solo-led biopic while “The Suicide Squad” is an ensemble superhero comedy, so preference depends on your genre taste rather than critical consensus.
Why did “Suicide Squad” score so much lower than “The Suicide Squad”?
The 2016 version scored 26% critics while the 2021 version scored 90%, a difference critics attributed to directorial approach, editing choices, and visible studio interference in the original. Both films feature Robbie, but the overall film structure and execution differed dramatically.
Did Margot Robbie’s performance quality drop in her lower-rated films?
No. Films like “Terminal” at 22% critics typically received criticism for overall narrative structure and tone rather than individual actor performance. Rotten Tomatoes scores reflect the entire film, not the lead performer’s contribution.
What’s her most underrated Rotten Tomatoes film?
“Goodbye Christopher Robin” sits at 64% critics but 71% audience, suggesting critics were harder on the A.A. Milne biopic than general viewers. If you enjoyed “I, Tonya,” this film offers similar biographical material that audiences connected with despite mild critical reservation.
Should I watch every Margot Robbie film above 70% on Rotten Tomatoes?
Her films above 70% offer a safe critical consensus, but quality and enjoyment aren’t guaranteed. Genre preference, directorial style, and your tolerance for pacing matter more than a single percentage score.
What was “Barbie’s” commercial and critical performance combined?
“Barbie” scored 89% critics and 88% audience while becoming her highest-grossing film and earning eight Oscar nominations, a rare achievement of commercial blockbuster success paired with critical legitimacy.
