When most people think of horror movies, they often conjure up images of jump scares, gore, and supernatural entities. However, in 2017, a film called “Get Out” challenged this traditional notion of horror by weaving in a powerful and thought-provoking commentary on race and racism. Directed by Jordan Peele, the film received widespread critical acclaim and became a cultural phenomenon for its unique and impactful approach to the horror genre.
At its core, “Get Out” is a story about a young African American man named Chris who goes to visit his white girlfriend’s family for the first time. As the weekend unfolds, Chris begins to notice strange and unsettling behavior from the family and their friends. What starts as awkward interactions and microaggressions quickly escalates into a terrifying and sinister plot that reveals the true intentions of the seemingly well-meaning family.
While the film’s plot may seem like a traditional horror story, it is the underlying racial commentary that sets it apart. Throughout the film, Peele masterfully uses horror elements to symbolize the real-life horrors of racism and white supremacy. From the eerie silence during a family dinner to a hypnotic sequence that captures the isolation and fear of being a person of color in a predominantly white space, every aspect of the film serves a purpose in conveying its message.
One of the most striking ways that “Get Out” redefines horror is through its use of the “sunken place.” In the film, the sunken place is a metaphor for how people of color are often silenced and erased by society. It is a psychological limbo where they have no control over their own identities and are forced to conform to the expectations of others. This concept perfectly captures the experience of being a marginalized individual in a society that often tries to erase their voices and experiences.
Another aspect of the film that challenges traditional horror tropes is its portrayal of the white characters. In most horror movies, the white characters are typically the victims and the people of color are often portrayed as the villains. However, in “Get Out,” Peele flips this narrative by making the white characters the perpetrators of the horror. This not only adds a layer of social commentary, but it also subverts audience expectations and forces them to confront their own biases and preconceived notions.
Moreover, the film’s use of humor also sets it apart from traditional horror movies. Peele, known for his work in comedy, seamlessly weaves in comedic relief throughout the film, elevating it from just a scary movie to a satire on racism. By using humor to address serious issues, Peele effectively disarms the audience and allows them to engage with the film’s themes in a more accessible way.
But perhaps the most impactful aspect of “Get Out” is its ending. Without giving too much away, the film’s conclusion is a powerful statement on the real-life horrors that people of color face in a society that is still deeply rooted in racism. It forces viewers to confront uncomfortable truths and opens up discussions about race and privilege that are often avoided.
In addition to its unique approach to horror, “Get Out” also boasts exceptional performances from its cast, particularly Daniel Kaluuya as Chris and Catherine Keener as Rose’s mother. Their nuanced performances bring depth and emotion to their characters, making the film’s commentary all the more powerful.
Overall, “Get Out” redefines horror by using the genre to deliver a poignant commentary on race and racism. It challenges societal norms and forces viewers to confront uncomfortable truths about the world we live in. Peele’s masterful direction and storytelling have solidified “Get Out” as a groundbreaking film that will be remembered for years to come. It serves as a reminder that horror can be more than just cheap thrills and jump scares; it can be a powerful tool for social commentary and change.
