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Reboot vs Remake vs Sequel vs Prequel: What Each Term Means, With Examples

The short answer to reboot vs remake: a remake retells one film’s story, while a reboot restarts a whole franchise and throws out the continuity that came before. Sequels and prequels, by contrast, keep the existing story and move forward or backward in its timeline, and the newer labels, the legacy sequel and the “requel,” describe hybrids that do a bit of each.

The short version: Batman Begins (2005) is the textbook reboot, though Christopher Nolan has said nobody was using the word when he made it. Three Men and a Baby is a remake of a French film. Rogue One is a prequel. Top Gun: Maverick and Creed are legacy sequels, and Scream (2022) has been described as a requel. Studios and critics do not always use the terms the same way, and the examples below show where they collide.

Term What it does to the story Example
Sequel Continues the story forward Jaws and Superman sequels (Cambridge’s own example)
Prequel Tells what happened before Rogue One: A Star Wars Story
Remake Retells one film’s story, usually under the same or a similar title Three Men and a Baby, from Trois Hommes et un Couffin
Reboot Starts a franchise over, dropping earlier continuity Batman Begins
Legacy sequel (legacyquel) Continues the story decades on; original stars hand over to new ones Top Gun: Maverick, Creed
Requel A sequel that also works as a fresh start Scream (2022)

Sequel and prequel: same story, different direction

These are the oldest and least disputed terms. Cambridge Dictionary defines a sequel as a film, book or play that continues the story of an earlier one, and its example sentence notes that sequels to films like Jaws and Superman “have become big business in the film industry.” A prequel develops the story of an earlier film by showing what happened before it.

Rogue One: A Star Wars Story, released in 2016, is a clean prequel. The Numbers’ synopsis has a group of unlikely heroes on a mission to steal the Death Star plans, which it calls a key event in the Star Wars timeline, one that leads into the original Star Wars. Our explainer on how Rogue One and A New Hope connect walks through the handoff scene by scene.

Reboot vs remake: one film or a whole franchise

A remake is about a single film. Cambridge defines remaking as making a new film with a story and title similar to an old one, and gives the example of the French comedy Trois Hommes et un Couffin, remade in Hollywood as Three Men and a Baby. Remakes are often language crossings like that one, which is why Cambridge’s second example mentions English-language remakes of foreign films. Our list of double features pairing an original with a very different remake shows how far a remake can drift from its source.

A reboot works at the level of a franchise. Cambridge’s film sense is “a new and interesting version of something such as a film or television show,” and its example, “The series needs a reboot,” captures the usual reason: the old continuity has become a burden. The new version keeps the characters and premise but starts their story over.

Batman Begins is the standard example, and its history explains why the word arrived late. Warner Bros. had stopped making Batman films after Batman & Robin; /Film notes that when Nolan described his approach in 2003, the franchise was just six years past that film. Nolan told The Guardian in 2005 that he had heard Warner Bros. “were looking to restart Batman.” Years later he told The Hollywood Reporter, as quoted by Den of Geek, that he did not know who first started using the word reboot, noting that it came after Batman Begins, “so we didn’t have any kind of reference for that idea of kind of resetting a franchise.” His own framing was an origin story treated as “a sort of contemporary action blockbuster.” /Film credits the film with paving the way for a decade of gritty reboots that followed.

Legacy sequels: when the original star hands over

The legacy sequel sits between a sequel and a reboot. It continues the original story, often decades later, but uses the returning star to introduce new leads. The critic Matt Singer, then at ScreenCrush, says he coined the term “legacyquel” for films “designed to update long-running franchises by bringing back beloved aging stars to pass the torch to younger successors.” Writing in January 2021, he said it had been five years since he came up with it, and he tagged Creed, Blade Runner 2049, Halloween and Star Wars among his picks.

Creed (2015) fits the pattern exactly. The Numbers’ synopsis has Adonis Johnson, son of the heavyweight champion Apollo Creed, tracking down Rocky and asking him to be his trainer. Top Gun: Maverick, released in May 2022, is the example most people now reach for; The A.V. Club called it “one of the best” legacyquels, passing the baton from Tom Cruise to a new generation of actors. The A.V. Club also admitted the edges are fuzzy: there is debate, it wrote, over whether a film like Mad Max: Fury Road counts.

The requel: a sequel that acts like a reboot

Requel blends the words reboot and sequel. The Motion Picture Association’s publication The Credits described Scream (2022), from the filmmaking group Radio Silence, as “a hybrid reboot/sequel” tied to Wes Craven’s 1996 original. The film reused the title Scream with no number and brought back the original characters alongside newcomers, so it could serve as a starting point for new viewers while continuing the old story. For where it sits among the other entries, see our Scream viewing order guide.

The difference from a legacy sequel is mostly emphasis. A legacy sequel is built around passing the torch; a requel is built to work as an entry point, and Scream signalled that by reusing the original title.

When studios and critics mix up the labels

The terms are used loosely enough that it pays to check what the filmmakers themselves said. Two cases from the same few years show the confusion. Blumhouse described Halloween (2018) as a direct sequel to the 1978 film “and not a reboot,” even though it ignored every other sequel, which is reboot-like behavior. Meanwhile, an earlier report from The Credits called the planned Terminator film a “trilogy reboot,” while James Cameron, quoted in the same article, described it as “a continuation of the story” from the first two films.

Both films are best described as legacy sequels that pruned their timelines: they continue an original story with its returning star while discarding later entries. Planet of the Apes shows a third path, with a separate reboot series running alongside the originals; our piece on how the Apes timelines differ lays out the two continuities. When a press release and the director disagree, the director’s description of what the story keeps and what it drops is the better guide.

Frequently Asked Questions

How is a reboot different from a remake?

A remake retells the story of one earlier film, usually with a similar title. A reboot restarts an entire franchise and drops the continuity of the earlier films, as Batman Begins did for Batman in 2005.

What is a legacy sequel?

A sequel made long after the original that brings back an older star to hand the story to new characters. Critic Matt Singer says he coined the related term legacyquel; Top Gun: Maverick and Creed are common examples.

What is a requel?

A blend of reboot and sequel: a film that continues an existing story but is built to work as a fresh starting point. The Credits described Scream (2022) as a hybrid reboot/sequel, or requel.

Is Halloween (2018) a reboot?

No, by Blumhouse’s own description: the studio presented it as a direct follow-up to the 1978 original and not a reboot. It picks up from the first film and skips every other sequel.

Is a prequel the same as a sequel?

No. A sequel continues a story forward; a prequel shows what happened before an earlier film. Rogue One: A Star Wars Story is a prequel.

Sources

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